"Dick, I'm very disappointed" - Robocop (1987)

Note - If you do not see some of the videos or photos, click your browser's refresh or reload, again

The 1987 Sci-Fi classic RoboCop, directed by Paul Verhoeven, remains a cult favorite, thanks to its compelling narrative and enduring appeal. Its success sparked sequels, a remake, TV series, and cartoon animated adaptations, though few matched the original’s impact. The sequel, RoboCop 2, directed by Irvin Kershner, leaned heavily on intricate analog special effects but didn’t quite capture the first film’s magic. Subsequent entries suffered from studio interference, diluting the franchise’s vision and coherence, as many critics and fans agree.

While the RoboCop universe offers endless discussion ... readily available in online analyses ... my focus here is narrower and technical: ED-209, the iconic robotic enforcer of Detroit’s dystopian streets. Specifically, I’ll explore the artistry behind its creation, crafted using classic stop-motion animation in the tradition of masters like Ray Harryhausen. Below, I’ll share videos and articles shedding light on the ED-209’s analog special effects, perhaps, an underappreciated aspect of this sci-fi landmark.

Researching this information wasn’t as straightforward as I expected. It required some legwork to piece together from various sources.

 ED-209 model was designed by → Craig Hayes (aka Davies). Craig, and his associate
→ Paula Lucchesi (only two person crew!) constructed the full size static ED-209 prop/model. 

There were a total of TWO identical ED-209 internal Stop Motion armatures which were designed by → Tom St. Amand. Tom and his associate → Blair Clark machined the armatures. Upon completion of the armatures, they were passed on to Craig Hayes who fabricated all the exterior shell pieces that attached to the armatures. The stop motion  puppet exterior being an exact match to the full size ED-209.

The hands-on stop motion animation was shared among Phil Tippett, → Randal M. Dutra, and → Harry Walton. Phil would usually work on his own scenes, while Randal & Harry worked together on other animation scenes. 

Okay ... here is one of the classic and iconic Robocop scenes. Remember that this was before digital visual special effects.  All this done with retro analog cinema effects methods. Just a little warning ... → practical effects used here and they are very convincing😮. You have the option to stop the video or turn away if you choose not to watch it 😁

Movie clip below, is another classic scene where Dick Jones (Ronny Cox) confronts the weakened Robocop (Peter Weller). A battle emerges between ED-209 and Robocop. 

The original full-size ED-209 model by Craig Hayes had been stored in the Tippett studio warehouse, high up near the ceiling rafters, for many years. Recently, it was carefully dismounted and brought down to the studio floor for cleaning and minor restoration. Youtube channel 'Tested' host, Adam Savage, visits ED-209.

This video, is a general overview of some of the Robocop special effects, it includes master matte painter → Rocco Gioffre commenting about classic matte painting composites effects. Also Craig Hayes' backstory about the design & construction of the full size ED-209.

Here is Harry Walton, a veteran in stop motion animation and visual special effects, recollecting about his work on Robocop.

Phil Tippett back in 1987, appeared on a USA weekday Mon-Fri TV program called Evening Magazine.

Another one ... Phil Tippett next to an ED-209 stop motion animation stage set-up with a projected rear screen ... he's describing what stop motion is.

 

The spark for this blog was a simple question: Where are the original two ED-209 stop-motion puppets from RoboCop? Online discussions and videos often focus on the intricate CAIN puppets from RoboCop 2, whose complex design may overshadow the simpler ED-209 puppet models. As mentioned, only two ED-209 puppets were built. I’ve been tracking their whereabouts, suspecting Phil Tippett might still own one, while the other may have been auctioned. Despite searching Propstore.com, I found no trace of them. Here is a video clip of about 12 years ago, recorded at Phil Tippett's studio.You can clearly see the ED-209 stop motion puppet in the the lower middle of screen.

 

Some LINKS for you  → Tried-and-True Style for Robocop   → Randal M. Dutra on ‘RoboCop’

Here is someone's passion project to re-create the Tom St.Amand / Craig Hayes ED-209 armature & puppet. His objective was to machine this. That was back in 2017 😐 → ED-209 Stop Motion Armature Design

Here is the only photo of Tom St. Amand's ED-209 armature that I have seen.Long ago, I had a collection of → Cinefex magazines which recently, I donated many of them. Fortunately, I saved the Stop Motion themed Cinefex's including the Robocop issue #32. From the magazine, I took this photo. I am guessing that you might possibly think that it may not look complex or sturdy, however, Tom's engineering design of all the jointing mechanisms, most effectively performs the necessary animation movements. It is made of strong & rigid Aircraft Aluminum. The finished massive size appearance of the ED-209 stop motion puppets was, thanks to, the creative & technical skills of Craig Hayes, who fabricated all the puppet exteriors with vacu-formed plastic & other materials, with intricate detailing ... that completely covered the internal armature.You can click on the photo to Super-Size it and zoom into the photo.

For your information ... as of 2025, the original ROBOCOP is now 38 years old😲

Stop Motion Works SEAL — REAL Hand-Made Certified™ ( A.I.)

 ________________________________________

SUBSCRIBE (Free!) and comments welcomed 😎

Details >> STOP MOTION WORKS & RETRO FX

Cult Film Bash: 'Evil Dead II' (1987)

Note - If you do not see the videos or any of the photos, click your browser's refresh or reload again

Adam Savage recently posted a YouTube video about the early Evil Dead cult films, which inspired me to dive into my archive-reference files. There, I discovered a few more items connected to the cult classic Evil Dead II.

Here’s the Adam Savage video where he reunites with Tom Sullivan, one of the original artists behind The Evil Dead (1981) and the later reboot-remake, Evil Dead II (1987) but with a chaotic over the top horror comedic twist. In the video, Tom reveals that he’s auctioning off some of the classic props from the films. He and Adam have a fascinating conversation about the items and their history. My only small regret, as with many auctions, is that the sold items will likely end up in private collections, leaving the public with little chance to see these incredible pieces of cult classic cinematic history. Watch below.

For those who haven’t seen the opening Evil Dead II opening of the Necronomicon book, I still believe it stands as one of the most uniquely creative and imaginative pieces of special effects work. It’s all crafted using old-school, analog methods—no digital effects, no computers. The result is surreal, with the offbeat intensity of stop-motion giving it an almost dream-like quality. There’s simply no way CGI could replicate this vibe or gritty aesthetic.

The flying stop motion puppets ... simple designed 'wire' armatures but effective >> ghost creatures   In this photo, I believe that Tom was drawing each page which were stop motion animated. As the pages flipped faster, I think he did some shortcuts so that he would not need to draw every page  >> Stop Mo Necronomicon

Below is a video of the Deadite creature's flying attack scene. While impressive, it doesn’t quite match the spectacle of the stop-motion animated opening sequence featuring the Necronomicon book — something even Tom Sullivan, the creator and animator of the Deadite puppet, has acknowledged. Despite the significant effort he put into crafting the puppet, production constraints limited his input. Sullivan had hoped to collaborate more closely with the director to create a truly attention-grabbing moment, perhaps as an homage to Ray Harryhausen’s iconic work.

Note: Any Photos ... you can usually click on it, and then you will see a super-sized larger photo.

Here’s the Deadite stop-motion setup in its initial stage. The studio lacked the space for a larger background blue screen, which was necessary to accommodate the Deadite puppet’s wide wingspan. Initially, the puppet was suspended by nylon lines, but it proved unsteady when supported this way, and I don’t believe any usable animation resulted from this setup.

Eventually, it was decided to move the Deadite stop-motion production to a larger studio with a much bigger blue screen. The puppet was then supported from the rear with a rigid rod for improved stability.

Here are some photos of Tom Sullivan at his mom's house, working on the finishing touches of the Deadite puppet fabrication >> Photo 1   >> Photo 2.  Just a quick side note — I had the chance to visit Tom in his hometown in Michigan many years ago, during the post-production prep for the Deadite stop-motion. From there, we traveled to Detroit to visit Renaissance Pictures, where Sam Raimi, Rob Tapert, and Bruce Campbell were immersed in the post-production tasks.

Naturally, Evil Dead 2 showcased a wide variety of special effects, all created using the old-school analog techniques of the era. These included extensive use of makeup prosthetics, cable-operated puppetry, and practical on-set effects, such as custom props and intricate set designs. However, my focus here is specifically on the stop-motion effects featured in Evil Dead II. Below, I’ll list the Artists / Creators who contributed to this work — some of whom you may not be familiar with:

Rick Catizone - A veteran in special effects & animation:  I was not aware of  the entirety of the work that Rick did for Evil Dead II — Sculptor/armatures designer and builder/animator. Animated stop-motion crawling hand sequences; Animated neck grow and face transformation,  combining replacement head  transformation sculptures  with fully articulated stop-motion puppet. Animated full figure puppet of Henrietta;  Shots were composited with live action plates via single-frame rear-screen projection.In addition on other projects, Rick also is fully capable in 2D animation. Too much to list his other creative skills. Here is his Website & IMDb. If you're curious what the Henrietta armature looks like, go here >> Henrietta  and  >> Crawling Hand Armature

Larry Larson - Stop motion special effects: Brought his stop-motion expertise from running his own independent studio in Detroit. He served as the stop-motion cameraman and handled lighting, using his classic heavy duty Mitchell camera  — a staple of analog stop-motion photography. Larry and Tom collaborated closely to set up the stop-motion shots. While his >>IMDb credits may be sparse, Larry was highly active in the Detroit indie scene, producing ads, promotional work, and his own stop-motion shorts.Larry was also a talented musician and later became an instructor at the College for Creative Studies in Detroit, Michigan. He even dabbled in creating a DVD tutorial on armature-making for beginners. To my surprise, Larry generously shared this tutorial on his >> YouTube channel. Sadly, Larry passed away in 2019 (RIP, Larry), leaving behind a legacy of creativity and generosity.

Brian Rae - Special Effects Prosthetics/Make-up: Originally from Michigan, Brian has been a long-time resident of the Los Angeles area. His impressive resume speaks for itself, as shown on his >> IMDb listing. On Evil Dead II, Brian worked as Tom Sullivan's assistant, contributing by making props and assisting with animation setups. While I’m not sure if Brian has a website or an online portfolio, here’s a friendly nudge: 'Hey Brian, if you’re reading this, get yourself a website or some kind of online presence!'😉He’s amassed many behind-the-scenes photos from various projects, showcasing his talents in makeup prosthetic fabrication for renowned special effects studios.

Yancy Calzada – Stop-Motion Armature Fabrication: Yancy collaborated with renowned special effects veteran >> Doug Beswick, constructing the stop-motion armature for the 'Dancing Linda Corpse' scenes in Evil Dead II. Here’s a photo of the armature >> Linda While his blog hasn’t been updated in years, it still offers a glimpse into his diverse creative talents. Yancy isn’t just skilled in metalworking craftsmanship — he also excels in creature design concept illustration. These days, I believe Yancy primarily focuses on CGI effects work. He has always struck me as someone who prefers to remain low-key, avoiding the limelight. While he’s not been active in the stop-motion community these past years, it’s understandable given that his career and interests have taken a different direction.Yancy's >> IMDb  >> Blog site (you can click on each photo to enlarge/zoom)   >> Linked In    

Oh, look here! — Apparently the Linda stop motion puppet was in Doug Beswick's personal collection. It appears to have been auctioned off back in 2022  See photos >> Linda animation puppet

Here is a documentary Swallowed Souls - Making of Evil Dead II (2011) If you are into the Evil Dead fandom cult, this retrospective is real fun & informative. It is about 1 hour & 40 minutes long!

Also, if you enjoy >> Cinefex Magazine style special effects articles, here is a good read about the Evil Dead II special effects. It appears accurate about the specific artists doing the special effects. If they are wrong, do not blame me! The website has somewhat small text & photos so you may need to use your browser's zoom to enlarge the text & photos ... Link below

Book of the Dead Website: 'Evil Dead II' Special Effects

UPDATE / BONUS

Evil Dead II’s theme music is a 'Cult Film Bash' essential — don’t miss it!

 

Stop Motion Works SEAL — REAL Hand-Made Certified™ ( A.I.)

 ________________________________________

SUBSCRIBE (Free!) and comments welcomed 😎

Details >> STOP MOTION WORKS & RETRO FX

 

 

 

'Alien: Romulus' & Mama Crab

Note - If you do not see the videos or any of the images, click your browser's refresh or reload

Below is a behind the scenes of of a special effects sequence that Tippett Studio did for the feature 'Alien: Romulus'. It is somewhat short and some scenes are time-lapsed and speeded-up. Remember this trick ... in the Youtube video players you can change the playback speed. This is a useful tool  if you want to slow down the video speed. You will be able to observe animation or movements in more detail including videos of real animals or people. Click on the gear icon at the bottom of the player. For this video I recommend speed .5,  or you can even go slower at .25. I do this on a laptop computer. I do not know if this works on your mobile phones. First, watch it at regular speed then afterwards you can watch at slower speed.Geez ... I sure went off topic and down a rabbit hole ... LOL!😄

Here you go ....

Befores and Afters is an online special effects focused magazine by subscription service, however many times they provide free teasers & samples of their magazine content. B &A did a very good article about Tippett Studio doing this special effects for this sequence. You old schoolers may remember Cinefex magazine. Well, Befores and Afters has captured that similar vibe. Click the link below to read the article which includes some photos.

BEFORES and AFTERS - Tippett Studio 'Alien: Romulus'

  _________________________

About a month ago the behind the scenes of the Disney Skeleton Crew series was posted. You can revisit here >> What's a Tet'niss? (Star Wars) . Well, Disney or Tippett Studio posted another follow-up behind the scenes of the Crab Creature. So this could be called a Part 2.  It is short about 2 minutes, and so, do not forget that you have the option to change the speed and watch it in slow motion so that you can carefully study the details.

STOP MOTION WORKS 'Seal' - REAL Hand-Made Certified™ ( A.I.)

 ________________________________________

SUBSCRIBE (Free!) and comments welcomed 😎

Details >> STOP MOTION WORKS & RETRO FX

Adam Savage Attempts Armature Making!

Note - If you do not see the videos or any of the images, click your browser's refresh or reload

This just popped up online: Adam Savage has had a long-standing online presence, starting years ago with Mythbusters on the old analog Discovery Channel. Later, he joined YouTube with a group under the channel name 'Tested'. Now, this channel is primarily associated with Adam Savage himself. His studio shop is equipped with every imaginable tools, allowing him to create physical props, models, mechanical objects, and costumes for practical effects or cosplaying. His studio is the envy of us DIY enthusiasts (home craftsmen/artists).

Adam can build just about anything. I am not sure but I think this might be his first attempt constructing a Stop Motion Armature. He is using the >> Tom St.Amand - Phil Tippett >> T-Rex Armature that was used for Jurassic Park (animation motion testing), as his reference guide. Every armature fabrication has its own methods. Here, we can see that Adam has chosen to build the T-Rex armature skull first. My way of doing this would be to leave the skull for the last step. I would have detailed blueprints of the entire armature, with an exact scale outline of the T-Rex skull (front, top, side view). I would then complete the armature first, and then build and attach the skull as the final step. In the end, the results are the same ... whatever works!

Maybe this is a spoiler. You will not see the completion of the T-Rex armature in this video. In the description, I do not see an upcoming part 2, or possibly the follow-up video might be reserved for his membership group.

 

In the photo below Randal M. Dutra is doing the hands on animating of the T-Rex striding-walk test. Online this has the label as 'Go-Motion', however it appears to have been very smoothly animated traditional Stop Motion (not Go-mo).  I think it was more of a test demonstrating the highly realistic puppet fabrication and its appearance, especially the T-Rex's external skin characteristics, where you see the illusion of the skin sliding over the muscles underneath and also the Belly Sway Jiggle effect. Nature Artist >> Art of Randal M. Dutra

This is the infamous finished test walk-striding T-Rex that you may have seen online.

  

STOP MOTION WORKS 'Seal' - REAL Hand-Made Certified™ ( A.I.)

 ________________________________________

SUBSCRIBE (Free!) and comments welcomed 😎

Details >> STOP MOTION WORKS & RETRO FX

 

Fan Made: Wampa Attacks Tauntaun & Luke

Note - If you do not see the videos or any of the images, click your browser's refresh or reload

This was about 12 years ago (2012-13) and was produced by a couple of professionals in the special effects business as a fan tribute to the original 'The Empire Strikes Back' (1980). What we have here, added to the original 'Empire', are Stop Motion inserted scenes and digital compositing & tweaking so that it would blend with the original. The artist-creators were  >> Joe Schultz and >> Jim Davidson.  If you are on facebook, in the >> Stop Motion Monsterland Group, I think Jim Davidson may have posted some photos of the puppet fabrication.

Reminder - Lower Right of video player you can click Full Screen icon button

Original Wampa Attack scene ...

Here is the completed fan made, modified version of Wampa attack An additional note, I believe the stop motion armatures were made by >> Tom Brierton. This video below is about 4 minutes long but the actual scenes starts at about 2 min & 20 sec

 

Behind the scenes 1

 

Behind the scenes 2

Behind the scenes 3

 

 

 

 STOP MOTION WORKS 'Seal' - REAL Hand-Made Certified™ ( A.I.)

 ________________________________________

SUBSCRIBE (Free!) and comments welcomed 😎

Details >> STOP MOTION WORKS & RETRO FX

Mackinnon & Saunders: Beetle Juice 2, Pinocchio, & More

 With 'Beetle Juice, Beetle Juice' winding down its theatrical release, it appears that it is now in its digital release, available for online stream viewing. Perhaps later this November could be released on DVD & Blu-ray.  When BJ2 originally released just a few months ago, there was not much technical behind the scenes and a mystery for a short while about the authenticity of the stop motion effects.Warner Bros mostly showed online interviews with the actors. Well finally, here is albeit, a short behind the scenes specifically about the stop motion scenes. The Sandworm was the primary stop motion special effects, but there were also some other more minor, secondary scenes also using stop motion. Take a look ....

An hour presentation about Mackinnon & Saunders' work & history by Richard Pickersgill, Lead Puppet Maker Supervisor. This talk was before the release of 'Beetle Juice 2', so that movie is not mentioned here. Some rare behind the scenes images & a few videos about the construction of the stop motion puppets. M&S were responsible for the design & fabrication of a few of the lead  stop motion puppet characters, with focus on the highly engineered Pinocchio puppet character. It is a talk / presentation, so some of you might get bored, however the the true stop motion aficionado, it is rich with edifying stop motion making of information  .... 

Below are just a few examples of projects to which Mackinnon & Saunders has contributed:

The making of Frankenweenie (2012) ....

 

More ....

Making of Isle of Dogs (2018), Featurette 1 ....

 

More ... Featurette 2 ....

 

Website link ....

Mackinnon & Saunders

STOP MOTION WORKS 'Seal' - REAL Hand-Made Certified™ ( A.I.)

 ________________________________________

SUBSCRIBE (Free!) and comments welcomed 😎

Details >> STOP MOTION WORKS & RETRO FX

Beyond T-Rex (1997)

 
Long ago, I actually crossed paths with persons who worked on Beyond T-Rex. Her name Shelley Smith and also her brother Tim Synder, both involved with the the stop motion production for Hall Train Studios in Canada. Years later, Shelley eventually traveled down to Portland, Oregon and then to SF bay area to work on some stop motion projects.

It might surprise you that the dinosaur armatures were WIRE ... NO ball & sockets! Shelley revealed this to me and I think, I might has seen a couple of photos that Tim emailed me. It did not occur to me to ask how the animation was so smooth? They perhaps used some kind of customized home made frame grabber or a  > video lunchbox? I do not know if there were computer stop motion frame grabbers tools back in 1996-97.

Production Crew > Beyond T-Rex IMDb 

This video copy on Youtube, the resolution not so good ... in those days, > old style TV video tape quality. Perhaps, the scenes could also have been intentionally photographed to have a soft swamp-like atmosphere which contributes to its hazy look. In addition, before you judge harshly, again ... wire armatures were used, and therefore full expression & fluidity of the animation perhaps limited (by the wires), however, I thought the feeling of massive size & sense of weight, looked reasonably good! In the overall documentary, the stop motion dino scenes are very few. Just a reminder, from the crew list, only 4 artists were responsible for the puppets, miniature sets, backgrounds, compositing & special effects!

Here are some of the stop motion only scenes from Beyond T-rex

Below, is the entire 1997 Beyond T-Rex documentary (52 minutes). Yes it's 27 years old but I thought it was still an entertaining & informative watch. Try to ignore the obnoxious large video water mark on lower right. The Youtuber who uploaded this documentary implying claim to it (?), but actually, copyright does not belong to him!

Let us not forget about the enigmatic & mysterious HALL TRAIN Studios! I wonder if that is his real birth name? It sure does sound bad ass ... Lol! His portfolio is bulging with past & present projects. Beyond T-Rex was one of Hall Train's earlier works using the stop motion animation technique. Since then, I believe that he has not done any other stop motion projects. He currently does work for natural history & science museums, exhibits, theme mark, film, television, media. 

Click > HALL TRAIN BIO

My reference to the 1999 'Walking with Dinosaurs' was in regards to; that I believe it was one of the first dinosaur documentaries, where the creatures were fully created using CGI specifically for the television market. If you think about it, the movie, Jurassic Park was released in 1993 which was an important cinema milestone back then ...  the first organic realistic creatures on the big screen that were computer generated (& animated). So 6 years later, the Discovery channel first introduced CGI dinosaurs which was perhaps, another milestone for television. Of course, today ... you have overflowing quantities of CGI dinosaur documentaries, with herds & herds of dinos dazzling you ad infinitum. They say bigger & more is supposedly better? 😉  

UPDATE: Apparently, Hall Train Studio also did work on another dinosaur themed documentary which also included Stop Motion,  The Ultimate Guide: T-Rex (1996). This is the full documentary. For the stop motion dino scenes, you will have to fast forward to find them. This video upload to Youtube is somewhat okay and the stop motion scenes have slightly improved resolution.  > IMDb

You want MORE? I just found this ... ALL the Hall Train, Stop Motion scenes from both documentaries!

STOP MOTION WORKS 'Seal' - REAL Hand-Made Certified™ ( A.I.)

 ________________________________________

SUBSCRIBE (Free!) and comments welcomed 😎

Details >> STOP MOTION WORKS & RETRO FX

 

 

Tony McVey visited by 'Tested' Adam Savage

 

 

Years ago, I use to hang-out at Tony McVey's studio He is very much a hands-on 'renaissance man'. He can practically do it ALL, not only creative artistry as most of you already know about, but technically, Tony has much expertise in the fabrication aspects. I picked up many tips from his armature construction methods. Also, his molding & casting skills are absolutely incredible, doing involved multi-piece molding of complex puppet figures shapes ... and also he does miniature props fabrication!

For many years I have worked at a grave-yard shift blue collar job which just mentally exhausted me 😟 . As a result, for years, I've been pretty much 'Socially AWOL' ... kind of like a lone wolf. This video below from Adam Savage visiting Tony, is perhaps a reminder to me that I should maybe get out of the closet more and hang-out a bit, in person, and say 'Hi' to Tony and other fellow artists. But ...I digress! Check out the video below where Adam has some great conversation with Tony!

 

Below are some past spotlights I did about Tony, if you should want to revisit (click on blue facebook logo)  ....

 

 

I had a T. rex Stop Motion Puppet Made (OC)

 
THE KONG THAT NEVER WAS

 

Gardens of Miranda -Years ago, a very ambitious project from Tony. He was hoping to do a series and managed to get one episode finished. Tony doing practically ALL the work by himself. I would sometimes visit him, and see the in-progress work. As the usual course of 'passion projects', I am guessing, a conflict devoting personal time to a project verses the financial necessity of real jobs to pay the rent and bills. Look at the many years it took Phil Tippett to complete 'Mad God'. To me, Gardens of Miranda has an especially serene ambiance to it. Everything moving at a calm pace as the story unfolds. It would be something if this could be completed as a completed short maybe 20 or so minutes. I KNOW ... more money & time, which most of us do not have these days!

Gardens of Miranda Episode 1 from Tony McVey on Vimeo.

STOP MOTION WORKS 'Seal' - REAL Hand-Made Certified™ ( A.I.)

 ________________________________________

SUBSCRIBE (Free!) and comments welcomed 😎

Details >> STOP MOTION WORKS & RETRO FX

 

 

'The Batman' - Stop Motion (Hot Toys)

Best viewed on your laptop or tablet. These are Instagram links and they attempt to force you to go to their site. To watch videos again, just reload / refresh this Stop Motion Works page.

This puppet poseable figure is modeled from the more recent version of The Batman (2022) as portrayed by actor Robert Pattinson (Bruce Wayne).

 In the first clip here, you see the finished stop motion animation ....

View this post on Instagram

A post shared by Lawrence Becker (@samplertimes)

The second clip below is a time lapse, showing the stop motion behind the scenes ....

View this post on Instagram

A post shared by Lawrence Becker (@samplertimes)

Stop Motion animated by Lawrence Becker. I am not familiar with him but in the past, I have sometimes seen his other animated works. Apparently, Lawrence has much experience in the traditional animated arts & crafts ... 2D Animation & Stop Motion. Here is his Sampler Times website 

These present day very realistic collectable poseable figures are astounding in the quality of execution ... the clothing, exterior suit & armor details, miniature accessory props, etc., especially the flawless exact replication of the human faces. I wonder if they scanned photos of  the real actors, then made 3D molds and cast in a resin plastic. I have no idea as to what kind of armatures are inside these figures.  I am taking a guess that the armatures are not made to withstand  the rigorous environment of stop motion animation for many, many frames. The armatures may eventually give-out or fail.  Collectable Figures are not necessarily made for Stop Motion.  Collectors purchase these figures in which they occasionally change the poses for display purposes.  

One sixth scale Batman Collectable Figure

One sixth scale Batcycle Model

 ________________________________________

SUBSCRIBE (Free!) and comments welcomed 😎

Details >> STOP MOTION WORKS & RETRO FX